Формирование общероссийской национальной идентичности в процессе развития художественного образа. Анализ живописного произведения Василия Ивановича Сурикова «Боярыня Морозова»
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https://elib.sfu-kras.ru/handle/2311/2609Author:
Кистова, А.В.
Kistova, Anastasia V.
Кушнарева, А.В.
Kushnareva, Alexandra V.
Date:
2011-12Abstract:
As a complicated and a multilevel phenomenon, national identity can be regarded both in the aspect
of an individuals labelling him or herself as a part of some certain community or in the aspect of a
formed concept of this community. An artistic painting taken as an artistic image, which is the process
and the result of an interaction between the viewer and the material object, can act as a means of
making the conditions for a person to regard him or herself as an individual, or a means of forming the
concept of the national unity, or an essential part of this unity.
The present article deals with the analysis of the possibility of an artistic painting to form the national
identity, as exemplified by the analysis of the possibility of the artistic painting Boyarynya Morozova
by Vasily Ivanovich Surikov to form Russian national identity. Общенациональная идентичность как явление сложное и многоуровневое может быть
рассмотрена в аспекте индивидуального отнесения себя отдельным человеком к определенной
общности людей или к сложившемуся представлению об этой общности. В качестве одного
из средств формирования представления об общенациональном единстве и создания условий
для личностного ощущения себя отдельным человеком необходимой частью этого единства
может выступать произведение живописи, понимаемое как художественный образ - процесс
и результат взаимодействия зрителя и произведения-вещи.
В статье предлагается рассмотрение возможностей произведения изобразительного
искусства (живописи) по формированию общенациональной идентичности на материале
анализа возможностей картины Василия Ивановича Сурикова «Боярыня Морозова» по
формированию общероссийской национальной идентичности.
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