The Image of Homeland in the Works by Alphonse Mucha “Madonna of the Lilies”, the Poster for “The Lottery of the Union of Southwest Moravia” and the Poster for “The Slav Epic Exhibition”
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Автор:
Замараева, Юлия Сергеевна
Резникова, Ксения Вячеславовна
Середкина, Наталья Николаевна
Коллективный автор:
Гуманитарный институт
Кафедра культурологии
Дата:
2020-06Журнал:
Journal of Siberian Federal UniversityКвартиль журнала в Scopus:
Q3Библиографическое описание:
Замараева, Юлия Сергеевна. The Image of Homeland in the Works by Alphonse Mucha “Madonna of the Lilies”, the Poster for “The Lottery of the Union of Southwest Moravia” and the Poster for “The Slav Epic Exhibition” [Текст] / Юлия Сергеевна Замараева, Ксения Вячеславовна Резникова, Наталья Николаевна Середкина // Journal of Siberian Federal University: Humanities & Social Sciences. — 2020. — Т. 13 (№ 6). — С. 1007-1019Аннотация:
Understanding the specifics of creativity, the features of the artistic method
of not a single artist can be achieved without a meaningful analysis of their works. The
purpose of this study is to analyse three works by the Czech artist A. Mucha “Madonna
of the Lilies”, the Poster for “The Lottery of the Union of Southwest Moravia” and the
Poster for “The Slav Epic Exhibition”, to reveal the programmatic content of each of
these works, as well as their general artistic idea.
The works by A. Mucha were analysed using the method proposed and justified in the field
of theory and history of culture by the Russian scientist V.I. Zhukovsky. This technique
determined the logic of analysis of the selected works. Such methods as observation,
formalisation, analysis, synthesis, analogy, extrapolation and interpretation were applied.
The result of a methodical analysis of the three selected works by A. Mucha testifies to
the programmatic creativity of the artist, to a single semantic regularity in his works.
The key theme uniting all three works being analysed is the theme of divine patronage
of the homeland (native land, people). However, the authors draw attention to a number
of aspects of visualisation of this topic in each of the works. If the work “Madonna of
the Lilies” expresses the idea of patronage in its very initial moment, the moment of
faith in patronage coming from above, then in the poster of the lottery divine patronage
becomes doubtful. Nevertheless, the analysis of the poster for “the Lottery of the Union
of Southwest Moravia” revealed a number of artistic signs indicating the possibility of a
revival of faith in patronage. Based on the interpretation of these signs, such conditions
for the revival of faith as the lack of fear “to look and see, to fight” were formulated.
Confirmation of the idea of revival is expressed in the third analysed work of the artist, i.e.
the poster for “The Slav Epic Exhibition”. Methodical analysis allowed us to characterise
this work as a statement of fulfilled expectations, prosperity and dawn at the same time.
The terms “death, withering, fossil”, which are defined as temporary phenomena, act as a
programmatic condition expressed through the artistic signs of the work. The results of the methodological analysis of the three works by A. Mucha significantly
complement the existing data on the conceptual aspect of the artist’s work.
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