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    Poetics of Audiovisual Translation: the Barber of Siberia on French Screen

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    URI (for links/citations):
    http://elib.sfu-kras.ru/handle/2311/67835
    Author:
    Gorshkova, Vera E.
    Горшкова, В.Е.
    Date:
    2017-11
    Journal Name:
    Журнал Сибирского федерального университета. Гуманитарные науки. Journal of Siberian Federal University. Humanities & Social Sciences;2017 10 (11)
    Abstract:
    A comprehensive review of poetics from view points of literary studies, cinematography and translation allows the author of the paper to derive a notion of audiovisual translation poetics. It is stated that while translating a film one has to consider a subjective poetic vision of the film director that determines the genre of the cinema of poetry in terms by P.P. Pasolini and J. Genevray. The author’s speculations are illustrated by a case study of the Barber of Siberia, a feature film by Nikita Mikhalkov
     
    Комплексное рассмотрение поэтики в литературоведческом, кинематографическом и переводческом аспекте позволяет автору статьи вывести понятие поэтики аудиовизуального перевода. Постулируется необходимость учёта при переводе субъективного поэтического вѝдения режиссёра, обусловливающего жанр поэтического кино в терминах П.П. Пазолини и Ж. Женевре. Рассуждения автора подкреплены ярким иллюстративным материалом из фильма Н. Михалкова «Сибирский цирюльник»
     
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    • Гуманитарные науки. Humanities & Social Sciences. 2017 10 (11) [14]
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