The Image of Siberia in Soviet, Post-Soviet Fiction and Werner Herzog’s Documentary Films
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https://elib.sfu-kras.ru/handle/2311/16770Author:
Sitnikova, Alexandra A.
Ситникова, А.А.
Date:
2015-04Abstract:
The article studies the concept of Siberia in audio-visual images of cinematography. The research
is made on the basis of several films. In Soviet cinematography the concept of Siberia is analyzed on
the basis of Ivan Pyr’ev’s “Skazanie o zemle sibirskoi” (“The saga of Siberia”) (1947), in Post-Soviet
cinematography this concept is analyzed on the basis of Viacheslav Ross’s “Siberia. Mon amour”
(2011). Regarding foreign films about Siberia, the author focuses on “Bells from the Deep. Faith and
Superstition in Russia” (1993) and “Happy people: a Year in the Taiga” (2011) shot by Werner Herzog,
a German film director, in co-directorship with Dmitry Vasyukov, a Russian film director. The research
resulted in revealed conceptual images of Siberia translated into the culture of cinematography. The
article also provides a review of scientific literature on Siberian cinematography Статья посвящена исследованию концепта «Сибирь» в аудиовизуальных образах
киноискусства. В качестве основы для исследования выбраны отдельные кинокартины:
образ Сибири в советском кино рассматривается на примере анализа фильма Ивана Пырьева
«Сказание о земле Сибирской» 1947 г., образ Сибири в постсоветском кинематографе – на
примере фильма Вячеслава Росса «Сибирь. Монамур» 2011 г. Среди зарубежных фильмов
о Сибири автор останавливается на фильма немецкого режиссера Вернера Хрецога –
«Колокола из глубины. Вера и суеверия в России» (1993) и «Счастливые люди: год в тайге»
(2011), созданный в соавторстве с российским режиссером Дмитрием Васюковым. В
результате автор раскрывает целый спектр концептуальных представлений о Сибири,
которые транслируются в культуру киноискусством. Также в статье представлен обзор
научной литературы, посвященной сибирскому кинематографу
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